Fresh Air on HD2

Julianne Moore, Relishing Complicated Characters

editor — Thu, 23 May 2013 20:03:00 +0000

In the film What Maisie Knew, Julianne Moore plays a troubled rock star whose young daughter witnesses her parents' volatile behavior as they argue over custody during their rocky separation.

On the surface, Moore's character, Susanna, might seem to be an entirely terrible one — a self-involved person and inappropriate mother who's not paying attention to her child. But Moore makes her more complicated than that.

"What's interesting to me about Susanna as a mother, particularly, is how inconsistent she is," Moore tells Fresh Air's Dave Davies.

Douglas, Damon Illuminate HBO's 'Candelabra'

David Bianculli — Thu, 23 May 2013 19:36:00 +0000

Before you see any of Behind the Candelabra -- when you just consider the concept of the TV movie and its casting — this new HBO Films production raises all sorts of questions: How much will be based on verifiable fact, and how much will be fictionalized? On an anything-goes premium-cable network such as HBO, how graphic will the sex scenes be?

And the most important questions involve the drama's two leading men, playing an ultra-flamboyant piano player and the wide-eyed young man who becomes his behind-the-scenes companion for five years. Michael Douglas?

Fictional 'Mothers' Reveal Facts Of A Painful Adoption Process

editor — Wed, 22 May 2013 17:08:00 +0000

After years of trying to conceive, novelist Jennifer Gilmore and her husband decided to pursue a domestic open adoption. They were told they'd be matched within a year; it took four. And along the way they faced complicated decisions and heartbreak.

Gilmore, who has channeled those decisions and heartbreaks into personal essays and articles for outlets such as The New York Times and The Atlantic, has now turned to fiction, her native genre, to explore the experience.

Daft Punk: Accessing Electronic Music's Humanity

Ken Tucker — Wed, 22 May 2013 15:14:00 +0000

I freely admit that, until the new Random Access Memories, I wasn't much of a Daft Punk fan. I could appreciate the craft and imagination that went into creating the French duo's mixture of electronic genres — techno, house, disco — but the mechanical repetitions and heavily filtered vocals didn't turn me on in any other way.

But now, Thomas Bangalter and Guy-Manuel de Homem-Christo have come up with an album that exposes the human side of their musical impulses.

Soderbergh's Liberace, 'Behind The Candelabra'

editor — Tue, 21 May 2013 16:51:00 +0000

Director Steven Soderbergh had been looking for a way to frame a film about the extravagant entertainer Liberace for years when a friend recommended the book Behind the Candelabra: My Life with Liberace.

The book — a memoir — is by Scott Thorson, who for five years was Liberace's lover, though that wasn't publicly disclosed at the time.

Thorson was 40 years younger than Liberace and still in his teens when they met in 1977.

Brooks: 'I'm An EGOT; I Don't Need Any More'

editor — Mon, 20 May 2013 18:19:00 +0000

Over the 60 years that Mel Brooks has been in the entertainment business, his name has become synonymous with comedy.

Sarah Vaughan: A New Box Set Revels In Glorious Imperfections

Kevin Whitehead — Mon, 20 May 2013 17:01:00 +0000

Singer Sarah Vaughan came up in the 1940s alongside bebop lions Dizzy Gillespie and Charlie Parker, starting out in Earl Hines' big band. Hines had hired her as his singer and deputy pianist, while Gillespie praised her fine ear for chords as she grasped the arcane refinements of bebop harmony.

Fresh Air Weekend: Gerwig, Baumbach, Dawes And Polley

editor — Sat, 18 May 2013 17:09:00 +0000

Fresh Air Weekendhighlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interview with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Jerry Lee Lewis: Live, Singing As If Life Depended On It

Ed Ward — Fri, 17 May 2013 17:40:00 +0000

It was April 4, 1964, and Jerry Lee Lewis had officially bottomed out. He hadn't charted a record in years, and now, on tour in England and Germany, he was getting paid so little that he couldn't afford to bring his own musicians. Instead, he was forced to use pickup bands in England, and then, when he arrived in Hamburg, a British band called the Nashville Teens was waiting for him. The venue was the Star Club, where The Beatles, who had just leaped into stardom in America, had played not long before.

Bill Hader On Sketch Comedy, Classic Hollywood

editor — Fri, 17 May 2013 17:40:00 +0000

This interview was originally broadcast on Aug. 22, 2012.

Comedian Bill Hader is adept onstage and doing live TV. But he's scared to death of standup.

He remembers watching Chris Rock's 1996 HBO special, Bring the Pain, and thinking, "I don't know how people do that."

"I need a character," Hader tells Fresh Air's Terry Gross.