Pianist Eddie Palmieri has been given many nicknames. He's been called The Latin Monk because of his Thelonious Monk-inspired dissonances. He's been called The Piano Breaker Man, because he hits the keys so hard. He's even been called the 'madman of Latin music.' He's taken many of the innovations of modern jazz pianists and brought them into his Latin bands. But he's never stopped playing good dance music.
In 1994, Palmieri's lobbying culminated in the announcement of a new Grammy Award category for Afro-Caribbean Jazz.
A zombie plague has wiped out 95 percent of America. Camps of survivors band together in pockets across the country, waiting for small squadrons of human "sweepers" to inch their way across major cities, destroying the remaining zombie-like creatures hiding out in office buildings and shopping malls.
But now the human sweepers have to tackle their biggest challenge yet: clearing the undead from Lower Manhattan.
Celeste Holm, the actress of stage and screen, passed away of a heart attack on July 15. She was 95 years old.
Made famous on Broadway for her role as Ado Annie in Rodgers and Hammerstein's Oklahoma!, Holm earned more fans for her performances in All About Eve (1950), The Tender Trap (1955) and High Society (1956).
In the new USA Network miniseries Political Animals, Sigourney Weaver plays smart, tough Secretary of State Elaine Barrish. It's a role many critics have likened to current Secretary of State Hillary Clinton, but Weaver says the show's creators were thinking beyond Clinton when they devised the role.
"We've had three remarkable women who've been our secretaries of state in our last three administrations, but somehow we're not willing as a country to elect a woman president," she says. "And I think this show partially investigates what that's about."
Funny feminists should never die; there are too few of them who've gained any cultural prominence in the first place. That's why Nora Ephron's death earlier this summer flattened me, even though I hadn't read her in a while and had mixed feelings about the whole "I Feel Bad About My Neck," self-flagellation routine. Still, she made me laugh at the same time she often made me think: I wanted her playing on Team Feminist forever.
The Dark Knight Rises begins eight years after The Dark Knight, with Bruce Wayne (Christian Bale) living a reclusive life at his mansion alongside Alfred (Michael Caine). The movie is the finale of Christopher Nolan's Batman trilogy.
Credit Ron Phillips / Warner Bros. Pictures
Batman's enemy in The Dark Knight Rises is the brutish Bane (Tom Hardy), who delivers a beating that sends Bruce Wayne back to the gym.
Credit Ron Phillips / Warner Bros. Pictures
Anne Hathaway is a poised, charismatic Catwoman in this latest installment of the Dark Knight franchise.
Originally published on Fri July 20, 2012 11:54 am
The canvas is epic, the themes are profound, the execution is ... clunky. Welcome to Christopher Nolan's third and allegedly final Batman picture, The Dark Knight Rises — that so-called rising taking hours, by the way. No Batman film ever had less Batman.
Reporter David Kirkpatrick covered Washington's political scene for many years for The New York Times. But early last year, he decided that he was ready for a change of scenery. Kirkpatrick volunteered to move to Egypt to become the Times' Cairo bureau chief — and boy, was his timing good.
The jazz musician Ravi Coltrane, 47, didn't make his burden any lighter by choosing to play tenor and soprano saxophones — the same instruments his father, John Coltrane, indelibly stamped with his influence.
Ravi knew early he needed his own voice. On tenor, he has his own ways of bending and inflecting a note, applying flexible vibrato. Even when his noble sound bears witness to his heritage, Ravi Coltrane can draw on his father's language and make it his own.
In April, the Vatican announced that three American bishops (one archbishop and two bishops) would be sent to oversee the Leadership Conference of Women Religious, a member organization founded in 1956 that represents 80 percent of Catholic sisters in the United States, to get them to conform with the teachings of the Church.
Aaron Sorkin's new HBO drama The Newsroom follows the inner workings of a fictional cable network trying to challenge America's hyperpartisan 24/7 news culture. It's a typical Sorkin drama, complete with fast-paced dialogue, witty scenes and a strong ensemble cast.
So why a newsroom?
"It suits my style," he tells Fresh Air's Terry Gross. "I like writing about heroes [who] don't wear capes or disguises. You feel like, 'Gee, this looks like the real world and feels like the real world — why can't that be the real world?' "