Poet Donald Hall spends much of his time in his blue armchair, looking at the landscape out his window. The 83-year-old former poet laureate has lived for years on the same New Hampshire farm that his grandparents used to own, and still writes in the room he slept in as a child.
Chuck Prophet's new album, Temple Beautiful, takes its name from a former synagogue that hosted punk-rock shows in the late '70s and early '80s; it was next door to the temple overseen by cult leader Jim Jones. That may sound like a grim or black-humored reference point around which to erect an album, but with Prophet, grimness, humor, fact and fiction mingle freely. Before anything else, he's a guitar player with a melodically nasal voice whose phrasing favors the whimsical and the querulous.
Pulitzer Prize-winning journalist Katherine Boo spent more than three years in Mumbai's Annawadi slum to do research for her new book, Behind the Beautiful Forevers. Residents of the slum — which is located next to the Mumbai airport and in the shadow of several luxury hotels — live in devastating poverty.
The two DVDs I want to talk about today are hilarious, but they aren't sitcoms. They're talk shows — well, one's a talk show, and one's a filmed seminar. But they're both fascinating examples of a specific pop-culture moment frozen in time.
And they're something else as well: Both are highly entertaining real-time examples of talk-show Darwinism. Both shows feature a large, unwieldy guest roster, all of the guests competing for attention at the same time — and by the time the programs are over, the winners are apparent.
Twenty million people practice yoga in the United States. William Broad, a Pulitzer Prize-winning science writer for The New York Times, is one of them. Broad started doing yoga as a freshman in college in 1970 and has been practicing ever since.
Brooklyn drummer Matt Wilson keeps busy with many bands and projects — other people's and his own. Two new Wilson albums find him as part of a co-op all-star trio, and at the helm of one of his own quartets. Part of Wilson's appeal is that he keeps things light, in a good way.
Rick Hall and Billy Sherrill were a couple of Alabama boys in their teens when they started writing songs. At first, the only place they had to record was in a room in the back of the Trailways bus station in Florence, Ala. But one of the songs they recorded there, "Sweet and Innocent," became a small local hit, and a guy named Tom Stafford read about it in the local paper. He built a recording studio above City Drugs in Florence and went into business with the two young men. It didn't last long: Sherrill was hugely ambitious and was soon off to Nashville.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week: