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Egyptians began two days of voting to elect the nation's first president since the ouster of Hosni Mubarak. The polling comes days after an Egyptian high court dissolved the country's first freely elected parliament and the election now reflects the deep divisions in the country that has been unsettled since its revolution last year.

Commentator Miles Hoffman introduces a few famous dads whose children became master musicians.

While Congress debates food stamp cuts, the government should disclose where the program's costs are going and how much retailers and banks are profiting, says a new consumer watchdog report, Food Stamps: Follow The Money.

When complete, Interstate 69 will provide a direct route from Mexico to Canada through the Midwest. Indiana must build miles of road to complete its leg of the project, but funding for the necessary construction is dwindling.

School's out and that means families with young children are packing their bags and boarding flights. This summer, though, kids going through airport security are being treated just a little bit more like kids. The Transportation Security Administration has announced some new policies.

Hollywood studios are dealing with big budget flops and the release of G.I. Joe: Retaliation has been postponed until March. Kim Masters, host of The Business, and editor at large for The Hollywood Reporter, talks to Renee Montagne about the summer woes at movie studios.

Bradbury, 91, died in Los Angeles, his family and biographer say.

When the Philadelphia Orchestra first visited China four decades ago, it was a prestigious, well-funded institution performing in a poor, underdeveloped nation. Now the orchestra is emerging from bankruptcy and hoping that an increasingly wealthy China can provide new streams of revenue.

The president is pushing Congress to enact what the White House says are "bipartisan, paid-for ideas" that will boost job growth. He also said it's "offensive" to suggest "my White House" may have leaked some secrets to gain political advantage.

A version of the disgraced former first lady of the Philippines serves as the central character of Byrne's first foray into musical theater.