Community Calendar

This fall, the Museum will offer an exciting exhibition of the Korean artist Chul Hyun Ahn. Ahn (born in Busan, South Korea, 1971) creates mind-bending sculptures that conjure illusions of infinite space. Drawing from Op Art and light-and-space traditions, as well as theories of the subconscious, the Baltimore artist explores the immersive, illusory possibilities of reflection.

The Hudson River School rose to eminence in New York during the first half of the 19th century. This loosely knit group of artists, together with like-minded poets and writers, forged a self-consciously “American” landscape vision and literary voice. This exhibition will comprise of 40 paintings by 25 artists ranging in date from 1818 to 1886, and offers a varied survey of important paintings conceived in the style of the Hudson River School depicting the varied scenery along its banks, among them the Catskills, Adirondack and White Mountains that provided the subject for their landscape masterpieces.

This fall, the Museum will offer an exciting exhibition of the Korean artist Chul Hyun Ahn. Ahn (born in Busan, South Korea, 1971) creates mind-bending sculptures that conjure illusions of infinite space. Drawing from Op Art and light-and-space traditions, as well as theories of the subconscious, the Baltimore artist explores the immersive, illusory possibilities of reflection.

The Hudson River School rose to eminence in New York during the first half of the 19th century. This loosely knit group of artists, together with like-minded poets and writers, forged a self-consciously “American” landscape vision and literary voice. This exhibition will comprise of 40 paintings by 25 artists ranging in date from 1818 to 1886, and offers a varied survey of important paintings conceived in the style of the Hudson River School depicting the varied scenery along its banks, among them the Catskills, Adirondack and White Mountains that provided the subject for their landscape masterpieces.

The Hudson River School rose to eminence in New York during the first half of the 19th century. This loosely knit group of artists, together with like-minded poets and writers, forged a self-consciously “American” landscape vision and literary voice. This exhibition will comprise of 40 paintings by 25 artists ranging in date from 1818 to 1886, and offers a varied survey of important paintings conceived in the style of the Hudson River School depicting the varied scenery along its banks, among them the Catskills, Adirondack and White Mountains that provided the subject for their landscape masterpieces.

This fall, the Museum will offer an exciting exhibition of the Korean artist Chul Hyun Ahn. Ahn (born in Busan, South Korea, 1971) creates mind-bending sculptures that conjure illusions of infinite space. Drawing from Op Art and light-and-space traditions, as well as theories of the subconscious, the Baltimore artist explores the immersive, illusory possibilities of reflection.

This fall, the Museum will offer an exciting exhibition of the Korean artist Chul Hyun Ahn. Ahn (born in Busan, South Korea, 1971) creates mind-bending sculptures that conjure illusions of infinite space. Drawing from Op Art and light-and-space traditions, as well as theories of the subconscious, the Baltimore artist explores the immersive, illusory possibilities of reflection.

The Hudson River School rose to eminence in New York during the first half of the 19th century. This loosely knit group of artists, together with like-minded poets and writers, forged a self-consciously “American” landscape vision and literary voice. This exhibition will comprise of 40 paintings by 25 artists ranging in date from 1818 to 1886, and offers a varied survey of important paintings conceived in the style of the Hudson River School depicting the varied scenery along its banks, among them the Catskills, Adirondack and White Mountains that provided the subject for their landscape masterpieces.

This fall, the Museum will offer an exciting exhibition of the Korean artist Chul Hyun Ahn. Ahn (born in Busan, South Korea, 1971) creates mind-bending sculptures that conjure illusions of infinite space. Drawing from Op Art and light-and-space traditions, as well as theories of the subconscious, the Baltimore artist explores the immersive, illusory possibilities of reflection.

The Hudson River School rose to eminence in New York during the first half of the 19th century. This loosely knit group of artists, together with like-minded poets and writers, forged a self-consciously “American” landscape vision and literary voice. This exhibition will comprise of 40 paintings by 25 artists ranging in date from 1818 to 1886, and offers a varied survey of important paintings conceived in the style of the Hudson River School depicting the varied scenery along its banks, among them the Catskills, Adirondack and White Mountains that provided the subject for their landscape masterpieces.