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  • A new book argues that Motown was a step in the evolution of the American popular song, a tradition reaching back to songwriters like Irving Berlin, George Gershwin and Cole Porter.
  • The sound of New Orleans Jazz is unmistakable. If you're in the Crescent City, there's one place you're sure to find it: Preservation Hall. A new, jam-packed box set celebrates the Preservation Hall Jazz Band master tapes that survived Hurricane Katrina.
  • Many Muslim-Americans say the current political climate is worse than the aftermath of the Sept. 11 attacks. Many Muslims who once voted Republican, say don't feel like they have a home in that party.
  • You can never be too thin seems to be the mantra at this year's Consumer Electronics Show in Las Vegas. Ultra-thin laptops and slender next-generation TVs are being showcased along with thousands of other gadgets and gizmos. The show is so massive that if you walked from booth to booth you would travel more than 15 miles.
  • He wrote acclaimed books about Harry Truman and John Adams, along with the Brooklyn Bridge and the Panama Canal. He also was the authoritative voice narrating TV films such as The Civil War in 1990.
  • English-Australian singer, songwriter and actress Olivia Newton-John has died at age 73. She was one of the the biggest pop stars in the 1970's and early 1980's.
  • U.S. Secretary of State Antony Blinken is in Cambodia for a regional meeting of foreign ministers amid the fallout from U.S. House Speaker Nancy Pelosi's visit to Taiwan.
  • WBGO Morning Jazz host Gary Walker shares his favorite jazz recordings of 2007. Among the artists he singles out: Michael Brecker, Abbey Lincoln, Maria Schneider and Ron Carter.
  • Banning Eyre, senior editor of Afropop.org, shines the spotlight on Africa, Latin America and the Caribbean with his picks for the year's best albums. Among his selections: Watina, an effort by singer Andy Palacio to preserve the culture of the Garifuna people of Central America.
  • Roy Orbison didn't really find his identity until he signed with a small Nashville label, Monument, in 1959. Ed Ward looks at the 17 singles that put him, and the Monument label, on the map.
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